A&M STUDIOS
Studio C
STUDIO C EQUIPMENT
Console:
1996:
API 32 Input P&G Faders (modified)
1997:
Euphonics CS-3000 digitally-controlled
analog console with Surround Sound
Panning
Tape Machines:
Studer A800 Multitracks
Studer A820 two-track
Two TimeLine Lynx synchronizers
Mixdown/Reference:
A&M proprietary A-to-D and D-to-A
converters
SVDA-10/FRED MOD DAT recorders
Phillips CD player
Tascom Model 122 Mk III cassettes
Main Monitors:
1996:
Custom A&M/Augsperger system
1997:
Custom A&M/baulton system
Outboard Equipment (1996):
Comp/Limiter:
Fairchild 670
UREI LA-2a, LA-3 and 1176
dbx Model 160 and Model 160x
Mic Pre-ams/EQ:
Neve Model 1066 Modules
Pultec EQP-1A3, EQP-1A and EQH-2
GML Model 8200
Delays/Effects:
AMS DMX
Lexicon PCM-42
Roland SDE-3000 (with AES Trig.)
T.C. Electronics 2290
Eventide 949
Gates/Proc:
Drawmer DS-201 gates
dbx Model 902 de-esser
Reverb/Effects:
Eventide H-3500
Lexicon 480L, PCM-80 and PCM-70
AMS RMX-16
Yamaha 990, Rev 5, Rev 7, SPX-90
SOURCES:
The photos on this page originally appeared on A&M Records web site in 1996 and are copyrighted by and used with the permission of Stephen Barncard.
For Mr. Barncard's extensive information on the studio please visit A&M Recording Studios.