A&M STUDIOS
Studio D
STUDIO D EQUIPMENT
Console:
72-channel/144-input SSL SL 4072G
with Total Recall, G Series Automation
and E-Series EQ
Tape Machines:
Studer A800 Multitracks
Ampex ATR-1045 four-track
Studer A820 (1/4-inch)
Studer A820 (1/2-inch) two-tracks
Two TimeLine Lynx synchronizers
Mixdown/Reference:
A&M proprietary A-to-D and D-to-A
converters
Sony PCM-7010 Timecode DAT
Panasonic SV-3700 DAT
Phillips CD player
Tascom Model 122 Mk III cassettes
Main Monitors:
Custom A&M/Augsperger system
Near-Field Monitoring:
Yamaha NS-10Ms
Outboard Equipment:
Comp/Limiter:
Fairchild 670
UREI LA-2a, LA-3 and 1176
dbx Model 160 and Model 160x
Mic Pre-ams/EQ:
Neve Model 1073 Modules
Pultec EQP-1A3, EQP-1A and EQH-2
GML Model 8200
Reverb/Effects:
Eventide H-3500
Lexicon 480L, PCM-80 and PCM-70
AMS RMX-16
Yamaha 990, Rev 5, Rev 7, SPX-90
Delays/Effects:
AMS DMX
Lexicon PCM-42
Roland SDE-3000 (with AES Trig.)
T.C. Electronics 2290
Eventide 949
Gates/Proc:
Drawmer DS-201 gates
dbx Model 902 de-esser
SOURCES:
The photos on this page originally appeared on A&M Records web site in 1996 and are copyrighted by and used with the permission of Stephen Barncard.
For Mr. Barncard's extensive information on the studio please visit A&M Recording Studios.
Equipment lists appeared on A&M Records web site in 1996 and in A West Coast Phenomenon–the Studio That Charlie Built: Former A&M Studios, Hollywood: A state-of-the-art facility with a colorful past, and an emphasis on vintage technology by Mel Lambert, November 1997.